Sringeri Temple, nestled within the Western ghats

On our trip to Koppa, where we stayed at the charming homestay, Ammadi, one of the places we visited was Sringeri. Sringeri is small town located in the western ghats in Chikkamagalur district. The beautiful ghats and the river Tunga make this town quite idyllic. We visited the very famous Sharada temple here. After we parked the car, and as we waked to the temple, we passed many little street shops and hawkers. One of the things sold is the puffed rice to feed the fish in the river Tunga; the temple complex stands on the banks of Tunga.

As you enter the complex, the structure that takes away all your attention is the very beautiful Vidyashankara temple built in stone. Very intricately designed niches and sculptures adorn the exterior temple wall and is said to be a combination of the Hoysala and Vijayanagara architectural features.

Vidyashankara Temple, Sringeri - Chitra Aiyer Photography

Vidyashankara Temple, Sringeri - Chitra Aiyer Photography

Husband and daughter walking towards the temple

The main temple hall features 12 pillars designated for the 12 signs of the zodiac and placed in such a way that the first rays of the rising sun fall on specific pillars with the zodiacal symbol corresponding to the position of the Sun. I would have loved to see how this works, but we learnt of this only when we were there, and we were there during mid-day. Also apparently, the windows and doors along the temple walls have been designed such that the rays of the equinoxes sunrise touch the deity. The northern and southern gates enable the sunrise view from the hall during solstices. I am guessing those are also the days when the temple will have its maximum visitors.

The architectural beauty offers nice setting for many photo enthusiasts. Seen below is a girl posing against a beautiful doorway.

Photography spot - Vidyasankara temple, Sringeri - Chitra Aiyer Photography

Though it is the Vidyashankara temple that took away most of our attention in the first go, we learnt that it is the temple that is next to this one that is the main Sharada temple, dedicated to the Goddess of learning and wisdom. This was a simple shrine during the time of Adi Shankaracharya. The original sandal wood idol was replaced with a gold idol in the 14th century. The temple itself was a wooden structure till a fire damaged most of it in the 20th century. Now, in its place, stands the more modern structure.

Sharadamba temple, Sringeri - Chitra Aiyer Photography

The environs are beautiful and peaceful. Along one of the peripheries are steps that lead to the river Tunga. We visited right around the time that monsoon was ending. It was still raining that day and the river itself was gushing in full flow and muddy. It was rich brown in color and the fish that apparently you see very clearly, were not seen that day. People were dipping in the river for their holy baths and many of us, threw the puffed rice into the muddy waters for the fish.

People at the Tunga river banks, Sringeri - Chitra Aiyer Photography

Tunga river banks, Sringeri - Chitra Aiyer Photography

The Sringeri Sharada Peetham is one of the four Hindu Advaita maths established by Sri Adi Shankaracharya. It is right across from the temple on the other bank of the river. See below. The Sri Vidya Teertha Setu is the bridge that connects the matha to the temple complex.

Mutt, Sringeri - Chitra Aiyer Photography

The temple complex as seen from across the river.

Sri Vidya Teertha Setu across the Tunga river, Sringeri - Chitra Aiyer Photography

My son jogs on the bridge when we return back to the temple complex.

As we leave, it is still drizzling, making the whole surrounds a typical malnad setting in the beautiful western ghats. The main attraction to the kids, of course, were the temple elephants. Here’s a little one with its mahout.

Temple elephant, Sringeri - Chitra Aiyer Photography

Vidyasankara temple, Sringeri - Chitra Aiyer Photography

One last look at this beautiful stone marvel that has stood watching the river flow by, for centuries together.

Personalities come alive …. at the Manjarabad fort

So, along the Manjarabad fort wall are little minarets from which one can look at the vast landscape through the slit like openings. The tunnel like passageways that lead to these little minarets are short in height and are dark.

You will get a sense of that from the first pic, where I have already gone in and my daughter walks to the entrance and finds me inside. Her pose is very telling of her personality, where when she is up against something new and different, she is going to wait and watch. Yes, this is even if it is mom who is on the other side. Considering that it is the mom, you would think, the girl would walk through and join the mom? Well, no, she has to gauge the tunnel walkway to see if it is something that she can venture into.

Gauging the task on hand - Chitra Aiyer Photography

In the next one, she is analysing and is just not sure about taking the first step when I ask her to join me.

Hesitant at the entrance - Chitra Aiyer Photography

In the 3rd one, she knows it isnt something that should be scaring her, since mom’s already on the other end; but yet, there she is …. and starting on the whine.

Hesitant at the entrance - Chitra Aiyer Photography

In the 4th, after enough of a pep talk from me, she is now gearing up for her adventurous jog in. Notice also, how my son has walked into the scene.

Gearing up at the entrance - Chitra Aiyer Photography

In the next one, when I call my son in, he simply comes. The daughter is mildly amused …. I am guessing by his daredevilry act. :)

Son running towards me - Chitra Aiyer Photography

After a couple more times of him going out and coming in, she eventually “braves” it out to come in.

Coming in at last - Chitra Aiyer Photography

And while she is inside for a brief bit, son continues to jog in and out.

Son just enjoying the going out and coming in - Chitra Aiyer Photography

While this may look like an isolated incident, this is something that brings out their individual personalities literally and pictorially. I see this same pattern happen many times. I am not saying one has to be like the other, just that this is the way they are. And I am ok about that and I now have a photo-story that brings their distinct personalities out step-by-step.

I hope you enjoyed this little photo-story. Are you a parent with children with very differing personalities? Do share.

Manjarabad fort, Sakleshpur

This is a long pending post from the Sakleshpur trip. One of the things to do, while you are in the neighborhood is to visit the Manjarabad ford, which is located just outside of Sakleshpur on National Highway 48. The fort was built by Tippu Sultan as a strategic defensive location

It is also believed that he constructed a tunnel from this fort to another fort in Srirangapattana near Mysore. The guides there even showed us the closed doors to this tunnel, almost right at the center inside the fort. Apparently, it had to sealed off as the tunnel had many reptiles.

While I expected the fort to look like, well, a fort, this one is very different – it is almost just an excuse to get up there to enjoy the beautiful views of the beautiful western ghats.

Fort wall, Manjrabad, Sakleshpur - Chitra Aiyer Photography

View from Manjrabad, Sakleshpur - Chitra Aiyer Photography

After climbing a few hundred steps up to the fort, you arrive at the arched entrance-ways, the architecture style of which is Islamic. It is well kept and very clean. The steps to climb up are also well laid and even the elderly should not find it too strenuous.

Entranceway, Manjrabad, Sakleshpur - Chitra Aiyer Photography

At the entrance, Manjrabad, Sakleshpur - Chitra Aiyer Photography

It is so green inside the fort, what with the entire insides filled with grassy contoured ground, you forget that it is a fort you are visiting. Only the binding fort walls are fort-like.

In the fot, Manjrabad, Sakleshpur - Chitra Aiyer Photography

The archways you see in the following picture are entrances to the semi-open chambers. The chambers inside have hardly any height, so I am guessing they were just used to sleep in.

Manjrabad, Sakleshpur - Chitra Aiyer Photography

Chamber inspection, Manjrabad, Sakleshpur - Chitra Aiyer Photography

A walk along the fort wall is probably the best activity to do – to enjoy the beautiful landscape that spreads out in all directions from the fort. Here’re a couple of shots from inside the little minarets at the fort. Notice below is another minaret seen through the slit.

View from a slit, Manjrabad, Sakleshpur - Chitra Aiyer Photography

View from another slit, Manjrabad, Sakleshpur - Chitra Aiyer Photography

In the first picture in this post, the man is standing on a minaret.

My next post is going to be about how this fort brought out the stark difference in my children’s personalities. Just a series of pics and you will see the starkness. :) Will follow it up soon…. | Posted now - Read here.

Alive and Clicking, A Memoir by TS Satyan - A Review

Alive and Clicking - Chitra Aiyer Photography

One of my recent reads that I completely enjoyed reading – T. S. Satyan’s ‘Alive and Clicking’, a memoir. While he has been a wonderful photographer, he shows us the incredible writer that he is with this memoir. All of the book is written like as if he is recollecting things that happened just a few days ago – when actually it is from many, many years ago. All of his life, spread across many decades, recollected and written in a style reminiscent of a long-lost era. Rich with details and with his splendid yet simplistic narration, the book had me glued to his every word. I also read this book very slowly, taking it all in, and hanging on to his writing for as long as possible. Never is it superfluous or boring.

His personality shines through with his ability to see life like the way he did, filling the reader with simple joyfulness. I had to remind myself that he was no more when I was reading his book, since his spirit is so alive through out. While the book in its entirety is written in past tense, you still get the sense of being a witness to all the events and settings.

He has captured some of the rustic, simplistic scenes of rural India for magazines abroad and in this book, he goes on to describe how he went about shooting some of them – really, his commitment is absolutely commendable. Photography is so not about just what is in front of the camera, it has so much to do with the personality of the clicker – and from his narrative, it becomes evident that he was warm and down-to-earth.

He has been a witness to many a important events – and he shares them all generously with the readers. He said, “when you spend eighty summers on one planet with a camera in hand, things happen, events occur, and you have a bunch of experiences and encounters because you were there at the right time at the right place.” He recounts the times he spent with illustrious folks like Nobel Laureate C.V. Raman and film-maker Satyajit Ray; the significant moments he captured in the lives of leaders like Jawaharlal Nehru and Pope Paul VI. He also recollects his experiences as a photographer in places as varied as Sikkim, Afghanistan, Arunachal Pradesh and Malaysia.

What also stands out is the no. of very eminent folks Mysore and its Maharaja college produced in that era – a lot of very famous personalities like R.K. Narayan, R.K. Laxman, Doreswamy Iyengar, were all his contemporaries or his seniors there. Mysore is a constant through out this book and with his beautiful writing, he describes the town the way it was in the 30s and 40s, almost making those of us who didnt even know the Mysore then, to miss it.

T.S. Satyan was an award-winning photojournalist and winner of the Padma Shri in 1977. He passed away in Dec 2009.

Pic Source: thehindu.com

RIP, Satyan.

Frames of Melukote

Like I mentioned in my previous post about Melukote, here’s the other post from the little trip. This post is mostly for the frames from the little town. The drive itself was extremely good – with the roads being good all the way. After we took the right turn from the main Bangalore-Mysore freeway into the country road leading to Melukote, the countryside immediately changed to being beautiful and well …. country like. Beautiful green stretches and wonderful sense of serenity – very typical of most of the interior South Karnataka roads.

Enroute - Melukote, Chitra Aiyer Photography

As we reached the little town, we saw the hill that we were going to climb. on reaching the town, we parked and walked around the main street, at the end of which is the Cheluva Narayana Swamy temple. The place is so small that even that main street is hardly busy and mostly just reflects the laid back lifestyle of its residents. It may also have been so, since we arrived there in the late afternoon.

I maybe repeating myself here, but what the place is, is quaint.

Here’re some pics from the walk around the town.

laidback everyday - Melukote, Chitra Aiyer Photography

Entranceway to the inner main street - Melukote, Chitra Aiyer Photography

Street Wall - Melukote, Chitra Aiyer Photography

Verandah - Melukote, Chitra Aiyer Photography

Colorful plastic - Melukote, Chitra Aiyer Photography

Cauvery Electronics - Melukote, Chitra Aiyer Photography

A couple of interesting details noticed outside homes:

Details on a house wall - Melukote, Chitra Aiyer Photography

Wall art - Melukote, Chitra Aiyer Photography

Kids here made darling subjects, like kids anywhere do.

Kids on the streets - Melukote, Chitra Aiyer Photography

Friendship - Melukote, Chitra Aiyer Photography

Bright face - Melukote, Chitra Aiyer Photography

Cheer - Melukote, Chitra Aiyer Photography

Yummy licks - Melukote, Chitra Aiyer Photography

Enjoying ice creams

Relaxing - Melukote, Chitra Aiyer Photography

Enjoying a lazy afternoon, right behind his dad’s push cart.

So, the recent posts are more about photography than anything else, which is the intent - to post photo essays, where the pics give a sense of what it is all about. I hope you enjoy them.